Vacationland (detail)

Friday, June 19, 2015

About Those Tire Tracks

In the last post I ended with a tease about an upcoming post.  I hinted at images of a Ferris wheel and tire tracks.  And while I may be slow to post, I am at least a man of my word.  Here are two recent paintings.

Our World's Fair, oil on linen on panel, 22 x 45 inches, 2015
It's not unusual to see yards in Maine with old boats and cars as part of the landscape.  It is unusual to see an old Ferris wheel in someone's yard.  Along Route 1 between Sullivan and Steuben there is a house with such a lawn ornament.  It is awesome and odd and always catches my eye. "Our World's Fair" uses this scene with favorite model Lauren and younger son Corin in the foreground.

Town Hall, oil on linen on panel, 22 x 45 inches, 2015
Thanks to miles of isolated pavement and the need to find creative outlets, one can find some intriguing tire mark patterns throughout the state.  Several years ago a documentary was made about this art form.  "Town Hall" feature's a parking lot in the town of Sullivan and a local model named Victoria wearing a yard sale prom dress and my wife's winter hat.  The painting was just delivered to Quidley & Company's Nantucket gallery.

Thursday, April 9, 2015

Digging Out

While it's April on the calendar, winter hangs on in Maine with few signs that spring is actually coming around this year.  It's snowed twice this week and this part of Maine has set records for annual snow accumulation and sustained cold temperatures.  It was a good winter to lay low.  And if wintery weather wasn't enough of a reason to take it easy, a torn ACL in a soccer game led to surgery in December and several months of limited activity and rehab.  I'm not back to playing soccer yet but I've returned to full days of painting and am excited about several of the projects that I've recently completed, along with those currently on the easel.

Three portrait commissions filled my studio time just after the new year.  Other completed works include Mid-September and a painting of my older son in his natural habitat titled Reader, Morning Light.  I'll post some "work in progress" photos in upcoming blog entries.  There may be tire tracks and a ferris wheel for you to see.  Until then, check out the aforementioned completed paintings AND my redesigned website.  

Mid-SeptemberOil on linen mounted on panel, 16″ x 20″

Reader, Morning Light, Oil on linen mounted on aluminum panel, 14” x 14”

Monday, July 14, 2014

Pictures at an Exhibition

A solo show of my work is up at Dowling Walsh Gallery in Rockland, Maine through July 26, 2014.  The opening on July 5th was a terrific event.  I was able to see old friends and longtime collectors and meet some wonderful new folks.  Noticing Jamie Wyeth look at my paintings was a quiet thrill for me.  As always, the gallery space looked beautiful, the paintings were hung and lit expertly, and the food and drinks offered at the opening were delicious.  While I can't offer you a bacon-wrapped scallop here on the blog, I can offer you some shots of my work in the gallery.  

Tuesday, July 1, 2014

Independence Day

Fireworks and lobster are the usual hallmarks of a 4th of July weekend in Maine.  This summer I'm adding a gallery opening to the mix.  And if you're in Maine, I encourage you to do the same.  My solo show at Dowling Walsh in Rockland, Maine opens this week and lasts for the month of July.  The opening reception is on Saturday, July 5 from 5 to 7 p.m..  The gallery is easy to find on Main Street, as it's just across from the gift shop entrance of the Farnsworth Art Museum.  More than a dozen of my new paintings will be on display.  You'll recognize some of my usual models, including my wife Sarah and boys Finn and Corin.  I even sneak into one of the paintings as a model.  Anna B. McCoy, granddaughter of N.C. Wyeth, is having a show at Dowling Walsh Gallery at the same time so if you make it to the gallery, you'll be able to lose yourself in the lines and colors of contemporary realist painting at its finest.  

Projector, oil on linen, 43" x 64"

Succession, oil on linen, 36" x 64"

Thursday, April 17, 2014


Winter is still clinging on here in Maine. Yesterday's snow and today's frosty morning are evidence of its tenacious grasp. Nonetheless, the sun is out and the days are lengthening--both are good things for a painter.

I'm still hard at work as I prepare for my exhibition this summer.  As you can see, paintings are accumulating in my studio. As always,  I wish I had more storage space for the finished pieces.  I'm constantly warning the boys to be careful as they wander in after school. Thankfully, there have been no accidents so far. Perhaps it's time to get frames started so that I can deliver a few paintings to Dowling Walsh?  Though I'm on schedule (and by some miracle maybe even a little ahead), I've got a few more pieces to go before I can begin to relax.

Thursday, March 13, 2014

The Painter's Assistant

I've just finished a large painting for this summer's show at Dowling Walsh Gallery. The 76” x 58” piece is an aerial view of a model and my younger son daydreaming as they lie on their backs on the blacktop of a local schoolyard. They're surrounded by bits of lazy summer life: discarded shoes, a bicycle, a cootie catcher (remember those?). And they're inscribed with chalk drawings that make the scene more fanciful. As I was working on the final details for the piece, I sought inspiration for the chalk drawings. I asked Corin to doodle on the lower portion of the canvas with some sidewalk chalk. I wiped out many of his drawings, but kept a couple of them and copied them over in paint before erasing his originals. Should the piece sell, I have a feeling I will owe him a few ice cream cones as compensation.  

Thursday, December 5, 2013

Taking Stock

Thanksgiving week featured the return of Sarah and the boys from a trip to Pennsylvania, the emergency installation of an oven in a friend's kitchen so that he could cook turkey for 40 people, the aforementioned feast for 40, and a victory by my beloved (and this year, beleaguered) AC Milan team. It didn't feature as much painting as I'd hoped, but it did give me time to plan for the coming months.

There are still some pieces at Dowling Walsh from my October show. Quidley & Company has a few paintings, including two that they took to November's Boston International Art Fine Art Show. Yesterday I shipped Clear to Gallery Henoch in New York for their upcoming group show. I recently finished a commission for a family in Philadelphia and am in the midst of a commission for a couple in southern Maine. And believe it or not, I've already started to work on paintings for my July 2014 solo show at Dowling Walsh. Nothing helps a Mainer get through a cold winter like plans for the coming summer.

Clear, 2013, oil on linen mounted on panel, 15 1/2 x 28 inches